To interpret a photograph is “to give voice to signs that
don’t speak on their own”.
I personally have
trouble offering new language about an image to generate new meaning on
subjects I don’t take a personal interest in, so this article was interesting
to read because it offered insight on how to break down a photograph
critically. “To miss the metaphoric and to see only the literal is to misunderstand
the expressive aspects of photographs” which is why non-artists and skeptics
have trouble understanding or giving meaning to photographs or any work of art
for that matter. I liked how it
mentioned different angles you can evaluate a photograph from, but how
important it is to have evidence to back up your claim. All claims are possible, but some
interpretations can be wrong.
There was an interesting
point made by Diane Neumaier on the topic of photographing wives, that
reversing the idea and photographing the husband did not give the same sweet
feeling because “the practice of capturing, exposing, and exhibiting one’s wife
is praised as sensitive”. It’s just
interesting how critic #1 saw the portrait of Elenor as this universal woman,
“the embodiment and vehicle of all births and creations” but the feminist saw
it as exploitive. This just goes to show
how important it is to have a diverse crowd of people that can generate all
kinds of ideas and opinions when they look at your work.
I would say that
almost 75% of the time I’m unaware of my intent when I photograph because I am
just responding to what I’m seeing, or trying to evoke a mood or certain feeling
that then leaves the meaning open to interpretation.
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